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    The Best Movies of the ’90s According to Martin Scorsese, Ranked

    Arguably the greatest director alive today, Martin Scorsese He has built an impressive body of work, it is basically his own genre of film. The Queens of New York earned a master’s degree in film communications in 1966, but success in the film industry was not immediate. After a number of short films and low-budget flicks, Scorsese broke through in 1973 I mean the streets, his first collaboration with Robert De Niro. The duo met in 1976 taxi driverwhich won the Palme d’Or at the Cannes Film Festival, the first major honor in a career that saw Scorsese win the Best Director Oscar in 2007 (late) and earning 13 other Academy Award nominations.


    Scorsese is not only an author in the truest sense of the word, but an advocate for cinema and the film industry. He is also a personal fan of multiple film genres, including the Hammer horror films and Toho monster films such as Godzilla series. However, he is not a fan of modern-day universe-building superhero films, as his criticism of Marvel films as “theme parks” demonstrates. He noted that most films offer a societal viewing experience, while “Marvel-type pictures, where theaters are turned into amusement parks, this is a different experience.”

    For years, Scorsese has spoken out publicly to promote and support films he feels raise the bar for mediocrity. In February 2000, Scorsese joined forces with Roger Ebert on an episode of Roger Ebert and the Movies, a new incarnation of the movie review show created after Gene Siskel’s death. In the episode, both men name their top ten films of the 1990s and discuss their five best films in particular. Scorsese’s choices are particularly interesting, and two of his top five films are foreign films most movie fans have never heard of.

    Here are Scorsese’s picks for the 10 best movies of the ’90s, as he ranks them.

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    10 Malcolm X (1992) and Heat (1995)

    Malcolm X White
    Warner Bros.

    It seems Scorsese couldn’t deny a spot on his list to Spike Lee or Michael Mann, both of whom deserve a spot. Lee’s biographical drama brings the civil rights activist to life like never before Malcolm X, thanks in large part to Denzel Washington’s Oscar-nominated performance. Lee provides a layered portrayal of the man behind the icon, and the supporting cast (including Angela Bassett and Delroy Lindo) is stellar.

    crime arousal heat It is the best film directed by Michael Mann, which has become a modern crime drama classic in the eyes of both critics and movie fans. The film was promoted as featuring the first ever face-to-face meeting of the The Godfather Part Two Starring Robert De Niro and Al Pacino, the movie certainly delivered a tense thriller with great performances from all the stars.

    Mann’s style, like Scorsese’s, is distinct, which makes his films more than just movies. Although most critics were favorable to the film upon release, it failed to score even a single Oscar nomination. Appreciation for the film only came in the years that followed.

    9 Fargo (1996)

    Frances McDormand as Marge Gunderson in Fargo
    Gramercy Pictures

    Like most moviegoers, Scorsese loves the Coen brothers. Fargo, nominated for Best Picture in 1996, is a twisted crime drama that follows a very pregnant sheriff (Frances McDormand) in small-town Minnesota bent on solving a murder. McDormand (who is married to Joel Coen) was the perfect choice to play Marge “You Betcha” Gunderson, and the cast is very good, especially William H. Macy (who was nominated for Best Supporting Actor).

    Related: Martin Scorsese’s Favorite Horror Movies of All Time

    The cultural quirkiness of the Minnesotans and the black humor of the Queens is an irresistible combination, which won the Best Original Screenplay Oscar for the film. in discussion Fargo With Ebert, Scorsese said, “I loved the whole picture, because…it’s a comedy of manners. It’s a movie once it’s on, if it’s on TV, I’ll keep watching the whole thing.”

    8 Crash (1996)

    Crash 1996
    Registered Pictures Company

    This is not the 2004 Oscar winner from director Paul Haggis. Scorsese refers to David Cronenberg Crashesa twisted tale of sexual perversion from 1996. Cronenberg (The Fly, Future Crimes) co-wrote the screenplay about a TV producer (James Spader) who is involved in a serious car accident, only to discover a secret group of people for whom car accidents have become a kind of fetish. Very strange, but also wonderfully acted, Crashes It is a disturbingly deep dive into the human psyche.

    7 Bottle Rocket (1996)

    Owen Wilson Bottle Rocket
    Sony Pictures launch

    Bottle rocket Not only was the directorial debut of Wes Anderson (Rushmore, Royal Tenenbaums), giving us the Wilson brothers (Luke and Owen), who have become movie stars in their own right.

    The film, which follows three unchanging friends trying to pull off the “perfect” robbery and hit the road, is actually a feature-length version of a short the three made together while classmates at the University of Texas. Wes Anderson’s quirky sense of humor and signature camera work are already evident here, a first for a career that has seen several modern classics and seven Academy Award nominations.

    6 Breaking Waves (1996)

    Emily Watson in Breaking the Waves
    Sandro metronome

    Emily Watson’s Oscar-nominated performance (in her theatrical debut) is the heartthrob of Lars von Trier (sadness) drama about a Scottish woman in a remote village who marries an offshore oil man (Stellan Skarsgård). After being crippled in an accident, he insists that she move on with her life, sending her down a path of self-destruction. breaking waves It features Von Trier’s unique storytelling style, which is likely what caught Scorsese’s eye, and the devastating ending will stay with you for a while.

    5 Bad Lieutenant (1992)

    Bad Lieutenant 1992
    Aries movies

    bad lieutenant is a dark and violent NC-17 crime drama starring Harvey Keitel as a corrupt cop who searches for a path to personal redemption while working on the rape case of a young nun. Keitel has worked with Scorsese six times, including on his first feature film Who is knocking on my door?The director considers him one of his favorite actors. Keitel was reportedly so committed to the film, he stayed in character throughout production and improvised many of its lines, giving one of the best performances of his career.

    4 Eyes Wide Shut (1999)

    Nicole Kidman and Tom Cruise with closed eyes
    Warner Bros.

    Stanley Kubrick’s latest film was his first project in over a decade, following the Vietnam epic Full metal jacket. closed eyes It stars real-life couples (for the time) Tom Cruise and Nicole Kidman, and explores the deterioration of a couple’s relationship through the pair’s epic one-night stand. After an agonizing confession from his wife (Kidman) that she is unfulfilled and fantasies about other men, the doctor (Cruise) embarks on a surreal nighttime journey of self-discovery and a disturbing realization of the social and sexual depravity of the elite class.

    Related: Every Martin Scorsese Gangster Movie, Ranked

    Filmed under a veil of secrecy, Kubrick had complete creative control over the film, which took over a year to shoot, resulting in the dark masterpiece being completed just four days before his death. Scorsese, a Kubrick fan, calls closed eyes “A deep film about love, sex, and trust in marriage, about learning to take it day by day.” He also praised Kubrick’s cinematic approach, saying, “It’s also a movie I cherish because it puts you in the hands of an old master, in a style that goes against all modern conventions.”

    3 A Life on Borrowed (1994)

    Borrowed life
    Chung feature films

    Great Taiwanese movie Borrowed lifeWritten by acclaimed filmmaker Nein Jin-Woo, it is a biopic of his father, a miner who struggled to provide for his family in 1950s Taiwan. The father was partial to the Japanese culture that Taiwan embraced for decades, while the son is more familiar with the Chinese way of life after that country took over the island in the aftermath of World War II.

    This clash of cultures is shown in a detailed character study, and Scorsese notes that “the camera remains still, living with the characters, observing their most difficult emotional interactions with a restraint that often becomes painful.”

    2 The Thin Red Line (1998)

    Thin line molded red
    Twentieth Century Fox

    The thin red line It is an adaptation of director Terrence Malick’s James Jones biographical novel about the war in the Pacific. The film was Malick’s first directorial effort in two decades (hereinafter days of heaven), and features a cast large enough and talented enough to fill two epics. Jim Caviezel, Sean Penn, Nick Nolte, George Clooney, John Cusack, Adrien Brody, and Woody Harrelson star in the film centered on the Battle of Guadalcanal. It is a war movie that does not know its voice by fighting, but rather by the calm separating battles. Gene Siskel rated the film higher than the most popular World War II epic released that year, Saving Private RyanObviously, Scorsese agrees.

    In his comments on the film, Scorsese shines with Malick’s unusual novel, which is far more radical in technique than his own. “As you watch it you wonder: What is narrative in movies? Is it everything,” he said. “If that’s the case, is there only one way to go about it? If Malick had just written a straightforward narrative, could he have achieved the kind of poetry he’s doing here, or made a film where you really see the world as a primitive place? I don’t think so.” that “. Although it was nominated for seven Academy Awards, including Best Picture, it didn’t win a single one.

    1 The Horse Thief (1987)

    Rigzin Tseshang stars in The Horse Thief
    Xi’an Film Studio

    It was Scorsese’s favorite movie of the ’90s. Tale of Zhuangzhuang Tian morals horse thief It was originally released in China in 1986 but was not widely released in America until the early 1990s when it was discovered by Scorsese and several film critics.

    Set in 1923 Tibet, the film stars Rigzin Zichang as a clan member in a remote mountainous region who is caught stealing from their Buddhist temple and is exiled with his wife and child. With his family facing starvation, the thief clings to his faith and tries to find redemption and acceptance back into the clan.

    The film offers very little dialogue, choosing instead to convey its story through stunning visuals and some great performances that raise the bar for language. Scorsese said,horse thief He was a real inspiration to me. It’s that rare thing: a truly transcendent film.”

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